Fleda hesitated a moment; after which she exclaimed with a certain hard pride: "He's enough in love with me for anything!" "That of course hasn't made her love me better."!

The day after Fleda received this letter she had occasion to go into a big shop in Oxford Street—a journey that she achieved circuitously, first on foot and then by the aid of two omnibuses. The second of these vehicles put her down on the side of the street opposite her shop, and while, on the curbstone, she humbly waited, with a parcel, an umbrella, and a tucked-up frock, to cross in security, she became aware that, close beside her, a hansom had pulled up short, in obedience to the brandished stick of a demonstrative occupant. This occupant was Owen Gereth, who had caught sight of her as he rattled along and who, with an exhibition of white teeth that, from under the hood of the cab, had almost flashed through the fog, now alighted to ask her if he couldn't give her a lift. On finding that her destination was only over the way he dismissed his vehicle and joined her, not only piloting her to the shop, but taking her in; with the assurance that his errands didn't matter, that it amused him to be concerned with hers. She told him she had come to buy a trimming for her sister's frock, and he expressed an hilarious interest in the purchase. His hilarity was almost always out of proportion to the case, but it struck her at present as more so than ever; especially when she had suggested that he might find it a good time to buy a garnishment of some sort for Mona. After wondering an instant whether he gave the full satiric meaning, such as it was, to this remark, Fleda dismissed the possibility as inconceivable. He stammered out that it was for her he would like to buy something, something "ripping," and that she must give him the pleasure of telling him what would best please her: he couldn't have a better opportunity for making her a present—the present, in recognition of all she had done for Mummy, that he had had in his head for weeks. She asked no questions, but she took the most extraordinary things for granted. Fleda felt this still more at the end of a couple of days. On the second of these our young lady wrote to Owen; her emotion had to a certain degree cleared itself—there was something she could say briefly. If she had given everything to Mrs. Gereth and as yet got nothing, so she had on the other hand quickly reacted—it took but a night—against the discouragement of her first check. Her desire to serve him was too passionate, the sense that he counted upon her too sweet: these things caught her up again and gave her a new patience and a new subtlety. It shouldn't really be for nothing that she had given so much; deep within her burned again the resolve to get something back. So what she wrote to Owen was simply that she had had a great scene with his mother, but that he must be patient and give her time. It was difficult, as they both had expected, but she was working her hardest for him. She had made an impression—she would do everything to follow it up. Meanwhile he must keep intensely quiet and take no other steps; he must only trust her and pray for her and believe in her perfect loyalty. She made no allusion whatever to Mona's attitude, nor to his not being, as regarded that young lady, master of the situation; but she said in a postscript, in reference to his mother, "Of course she wonders a good deal why your marriage doesn't take place." After the letter had gone she regretted having used the word "loyalty;" there were two or three milder terms which she might as well have employed. The answer she immediately received from Owen was a little note of which she met all the deficiencies by describing it to herself as pathetically simple, but which, to prove that Mrs. Gereth might ask as many questions as she liked, she at once made his mother read. He had no art with his pen, he had not even a good hand, and his letter, a short profession of friendly confidence, consisted of but a few familiar and colorless words of acknowledgment and assent. The gist of it was that he would certainly, since Miss Vetch recommended it, not hurry mamma too much. He would not for the present cause her to be approached by any one else, but he would nevertheless continue to hope that she would see she must come round. "Of course, you know," he added, "she can't keep me waiting indefinitely. Please give her my love and tell her that. If it can be done peaceably I know you're just the one to do it."

"We're together, we're together," Mrs. Gereth lifelessly repeated. "That's all we are now; it's all we have." The words brought to Fleda a sudden vision of the empty little house at Ricks; such a vision might also have been what her companion found in the face of the stopped Dutch clock. Yet with this it was clear that she would now show no bitterness: she had done with that, had given the last drop to those horrible hours in London. No passion even was left to her, and her forbearance only added to the force with which she represented the final vanity of everything. Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "That's what he calls it," said Fleda.